More Inspirations from The Met

Just last week, a new exhibit opened at the Met called Art of the Samurai - Arms and Armor 1156-1868. Learning the properties of metal and moving that metal is what jewelery making is all about. Those who make the Samurai arms are total masters of metal. So, this exhibit was interesting to me, from a jeweler's perspective.

The first half of the exhibit is mostly the blades themselves, shining in space, incredibly old and looking as though they were made yesterday. All I could think of while looking at them was to wonder at the knowledge and the strength of the person who forged them.

The second half of the show was the armor. This was interesting. Again, some of the pieces were hundreds of years old, but in perfect condition. Most were kept in families through many generations. It turns out, each Samurai had a special style of his own. They liked the bold, over the top look! Check out the guy in the gold necklace who is the poster boy for the show. His actual armour is in the show. The antlers are black lacquered and glittery! I just love the huge gold prayer beads he wore.  They contrast with the black just right. This was a fun show to go through, opening my mind to different approaches to metal and ornament.

GARNET BUCKLES
On the first floor there is a hallway that I often find myself in at the Met. It's on the way back to the Great Hall. There are some ancient pieces of Celtic and Frank items. I'm always drawn to a few of these and finally took a picture, so that I might be able to use them as an inspiration someday. The red is slivers of sliced garnets. I think these were from the 500s AD. Someday I'd like to make something like this. I'm starting to think about buckles and this would be a good start, don't you think?

 American Stories, Paintings of Everyday Life at The Metropolitan Museum of Art, NYC

Another one of the newer exhibits I viewed at The Met on Friday was called American Stories, Paintings of Everyday Life 1765-1915.   (Be sure to click on the link because they have a great online sample of the paintings and narrations of the show.)

This show is so well put together. It's a series of rooms, small collections that each make a point and lead us through American Art. It's not preachy, it's enjoyable. So many old favorites are there, but there were quite a few surprises for me. 

One of the first paintings made me laugh. It's called Sea Captains Carousing in Surinam, ca 1752-58. The scene looks right from one of the Pirates of the Caribbean movies. The painter has poked fun of himself and painted himself vomiting in the hallway.

Another surprise, Why didn't I ever know about Lilly Martin Spencer (American, 1822–1902)? Her paintings are delightful. I am going to look into more about her. Painting from a women's point of view in the mid-nineteenth-century, with wit. We can't get enough of that.

Some of my favorite American painters had multiple works in the show - Winslow Homer, Thomas Eakins, William Merrit Chase and John Singer Sargent. But walking into one of the rooms, I was drawn to a huge yellow canvas. I was surprised it was Frederick Remington's Fight for the Water Hole.It looked so different outside of the Western themes that I'd expect it in. In this room it more than held it's own, it dominated the room. It looked to me like a brand new painting, because of the fresh perspective. 

It's a lovely exhibit. If you can't go to see it, the online exhibit is worth browsing through.

A visit to the Met

Yesterday I went to the Metropolitan Museum of Art in New York City. I have a membership there this year and have been trying to take advantage of that. I wholly recommend anyone in the area to do this. The Met has so much to offer and there are new exhibits every month, so there is always something new to discover there.

 I went to see the special Vermeer exhibit called Vermeer's Materpiece The Milkmaid. The focal point, of course is the titled piece, on loan to the Met. They have also gathered all their own Vermeers together and some other works by Vermeer's contemporaries. 

The Milkmaid surprised me. I thought I knew Vermeer. I thought I knew what all the fuss was about him. The light, the composition, the servant girl, I've seen these before and admired them. I have always loved Young Woman with a Water Pticher. 

But the Milkmaid is not the same! It is crisp, crisp, crisp lines. It is so much more of a photographic portrayal. And the colors are just so right. It is beautiful. It is worth going to see if you have the opportunity. 

I loved that the exhibit had the other works nearby, because I went back and forth, looking at Water Pitcher and Milkmaid, observing the differences between them. Water Pitcher is more diffused, as through a veil. I still love Water Pitcher, but have even more love and respect for Vermeer after seeing The Milkmaid. 

It also pointed out to me yet again, how important it is to see works of art firsthand. A picture of the works can never fully give you the same experience.  In a book, pictures of these two works will look very similar. In the same room with both originals, you will be struck by their differences.

Stay tuned.. I'll review some of the other exhibits I saw in the next few days.